Lethal Weapon 2 (1989) Review

Director: Richard Donner

Genre(s): Action, Comedy, Crime, Thriller

Runtime: 114 minutes (theatrical version), 118 minutes (director’s cut)

MPAA Rating: R

IMDb Page

While it doesn’t quite reach the heights of the first entry in the film series, Lethal Weapon 2 is still a worthy action-comedy with the charming chemistry between actors Mel Gibson and Danny Glover intact. This time our two heroes have to protect a federal witness, Leo Getz (Joe Pesci), who’s the target of apartheid-era South African goons. As you might expect, things soon get out of hand, resulting in piles of bodies and mass destruction.

The second Lethal Weapon flick isn’t as furiously paced as the first one, but it still moves along at a speed that staves off boredom. While Lethal Weapon (1987) orchestrates an ever escalating series of set pieces, Lethal Weapon 2 starts big right off the bat, with a high-octane car chase (personally, I found that particular scene a bit difficult to follow at times). The action sequences certainly don’t get smaller as the picture moves along. As comedic as the movie is, it still packs some brutal violence and large-scale demolition of property.

Lethal Weapon 2 seems to be a bit more humor-oriented than its predecessor, with many of the laughs coming from series newcomer Joe Pesci. Perhaps his most memorable moment is his drive-through speech. Gibson and Glover’s characters find Pesci’s character obnoxious at first, and the former’s behavior towards the latter could be considered bullying. Martin Riggs (Gibson) is no longer suicidal in this sequel, meaning some of the potentially combustible edge from the first one is lost here (although he still acts like a madman). There is a romantic subplot for Riggs, which doesn’t add a whole lot to the film, but whatever.

Like many (perhaps most) sequels, Lethal Weapon 2 doesn’t top the original, but that certainly doesn’t make it bad. It largely follows the winning formula from Lethal Weapon that made it an action classic. It’s less tightly wound, but it still provides some of the moments that made the Lethal Weapon series a fan favorite. I’d recommend watching the director’s cut.

My rating is 7 outta 10.

Lethal Weapon (1987) Review

Director: Richard Donner

Genre(s): Action, Comedy, Crime, Thriller

Runtime: 109 minutes (theatrical version), 117 minutes (director’s cut)

MPAA Rating: R

IMDb Page

The first film in the Lethal Weapon series is a masterpiece of efficient storytelling. There’s no unnecessary romance here to slow down the pace, just hetero bromance and macho bonding (along with the requisite explosions), which makes it an action fan’s dream. A stable family man of a cop, Roger Murtaugh (Danny Glover), is assigned a new partner, the reckless, suicidal Martin Riggs (Mel Gibson) on his newest investigation. Apparently, a woman named Amanda Hunsaker (Jackie Swanson) got high on drugs and jumped out of a multi-story building to her doom. Of course, since this is an action picture, there’s more to the story than what initially meets the eye.

Lethal Weapon carefully escalates in the intensity of its action scenes, starting small and building up to exploding cars and whatnot. The mayhem is soon spiraling out of control in the best way possible. By 1980s standards, the action often seems fairly grounded, but it still never fails to thrill. The pacing of the movie is some of the fastest ever (even in director’s cut form [the version you should watch]), meaning the flick’s over before you know it. Despite this, it is mighty satisfying.

Even if you’re not looking for adrenaline-pumping carnage, Lethal Weapon might be worth checking out. The chemistry between Mel Gibson and Danny Glover is rightfully famous, and a somewhat restrained Gary Busey, playing a villainous henchman named Mr. Joshua, unsurprisingly steals several of his scenes. While it’s not as comedic as its sequels, the film still has a healthy supply of humor and high jinks. It’s not a drama, but the character-driven moments definitely hook the viewer into the story. The plot is reasonably easy to follow, and the tone is perfectly balanced, meaning that the light and dark elements never smother each other.

Lethal Weapon is one of the best of the major 1980s actioners. Even the director’s cut of the picture feels lean. All elements – action, comedy, drama, and suspense – are successfully juggled, and the movie builds up in intensity in a textbook manner. Stick around during the end credits to hear the song “Lethal Weapon” performed by Honeymoon Suite.

My rating is 9 outta 10.

The Most Dangerous Game (1932) Review

Directors: Irving Pichel and Ernest B. Schoedsack

Genre(s): Action, Adventure, Horror, Thriller

Runtime: 63 minutes

MPAA Rating: Not Rated

IMDb Page

One of the gems of the Pre-Code era of Hollywood of the early 1930s (before the Production Code was enforced), The Most Dangerous Game tells the story of a shipwreck survivor named Bob (Joel McCrea) who finds himself stranded on a South Seas island ruled by the mad Count Zaroff (Leslie Banks), who’s taken game-hunting to a whole new level. Putting action-adventure, horror, and thriller elements in a blender, it’s a wonderful piece of pulp.

The whole motion picture is short as Hell, clocking in at a little over an hour. There’s a very, very good musical score from Max Steiner – one of the first to play frequently over the course of a talkie film (prior to this, most sound movies only had scores over the main and end titles). The performance from Leslie Banks as the villain is appropriately lively and crazed. Banks even tries to convince the hero to join him, since apparently they aren’t so different deep down, which is now a classic action-adventure film trope. The Most Dangerous Game, while being primarily focused on violence and horror, does have a fair amount of comic relief, and, yes, there is the obligatory romantic subplot, but it doesn’t distract too much from the cool stuff.

While short, this isn’t exactly a fast-paced movie. It contains some talky sections that slow down the mayhem somewhat. Some of the fighting looks a bit dated, and a viewer should be prepared for a little bit of cheesiness (like the “He got me!” shark attack).

The Most Dangerous Game isn’t a perfect flick, but it’s got it where it counts. There’s a bit too much yapping, but it’s on a solid footing when it lets the action do the talking. Its short runtime means it should make an exceptional companion piece to either Island of Lost Souls (1932) or King Kong (1933), if you need a Pre-Code adventure double-feature.

My rating is 8 outta 10.

The Great Escape (1963) Review

Director: John Sturges

Genre(s): Adventure, Drama, Thriller, War

Runtime: 172 minutes

MPAA Rating: Not Rated

IMDb Page

Director John Sturges’ second masterpiece (the first being The Magnificent Seven [1960]), this World War II epic tells the true story of Allied prisoners-of-war (P.O.W.s) planning a mass breakout from Stalag Luft III, the Nazi prison-camp they’re being held in. Along with Casablanca (1942), a picture of this film can be seen in the dictionary when you look up “classic film” (well, not really). It’s timeless, and perhaps the definitive P.O.W. picture.

Everything about this movie works. The all-star cast is a delight to watch, and Elmer Bernstein’s musical score is masterful. There’s a great deal of successful comic relief, and the cinematography does a swell job capturing the landscapes that surround the Allied P.O.W.s, making the film seem even more epic. The excellent sets also deserve a mention. However, The Great Escape perhaps works best when focusing on suspense. It can be a real nail-biter.

In a flick that’s nearly three hours long, pacing is crucial, and The Great Escape pulls it off. Fortunately, there’s no romance to bog things down, and all roles work in harmony towards the goal of crafting a stellar motion picture (just as each character has a job in the breakout plot; each one being a cog in the escape machine).

Thanks to tough guy heroics and the change of seasons from snowy (the time of the actual prison-break in real life) to glorious summer (the season of the breakout in the film), the movie almost (almost) makes war look fun. There’s plenty of macho bonding and the picture does an exceptional job capturing a sense of fly-by-the-seat-of-your-pants adventure. It’s not an action movie, but what action is in it really matters. The motorcycle pursuit sequence is the stuff legends are made of.

The highly efficient The Great Escape is all about the triumph of the human spirit. These men are seemingly uncageable. To sum things up, let’s leave with a quote from the movie: “You get ten out of ten for this, old boy!”

My rating is 10 outta 10.