Halloween: Resurrection (2002) Review

Director: Rick Rosenthal

Genre(s): Horror, Thriller

Runtime: 94 minutes

MPAA Rating: R

IMDb Page

If every film franchise had to nominate one of its installments to go to the So-Bad-It’s-Good Awards, the Halloween series would definitely pick 2002’s Halloween: Resurrection (the eighth entry). This is the one where a bunch of dumbass college students go on an Internet reality show where they must spend a night in the old Myers home, where serial killer Michael Myers (Brad Loree) was raised. In case you haven’t guessed, the show is hosted by Freddie Harris (Busta Rhymes) and produced by Nora (Tyra Banks). This right here is a slice of bad movie nirvana.

Many (most?) fans of the original Halloween (1978) are bound to shed some tears over this one. We’re not talking everyday stupidity here. We’re talking electroshock-Michael-Myers’-gonads-level stupidity. It’s not a scary picture, but its true appeal is in its unintentional comedy. There are definitely some belly laughs to be found in Halloween: Resurrection. Hell, people in the other room may think that you’re watching a marathon of The Simpsons or something, instead of viewing an entry into one of the most famous horror series of all time. Oh, yeah, did I mention that it’s directed by Rick Rosenthal, who helmed the classic Halloween II (1981)?

It should be noted that the opening sequence of Resurrection is perhaps more insulting than hysterical, as it revolves around a gallingly bad cameo from Laurie Strode (Jamie Lee Curtis). After that, there’s a few mildly slow moments, but this horrible feature’s got it where it counts. Atrocious dialogue and baffling action is what Resurrection‘s all about. It tries to go for a semi-“found footage” vibe with the low-resolution camerawork done by the reality show’s “contestants,” making it all the more endearingly kitschy.

Okay, do you shy away from so-bad-it’s-good flicks? If you do, stay miles away from Halloween: Resurrection. However, fans of the outlandish and enjoyably awful will want – nay – will need to see it. It may not be as deliriously funny as, say, Death Wish 3 (1985), but I can see this one becoming a cult classic in the future…and rightfully so. Busta Rhymes wills it.

My rating is 8 outta 10.

Halloween H20: 20 Years Later (1998) Review

Director: Steve Miner

Genre(s): Horror, Thriller

Runtime: 86 minutes

MPAA Rating: R

IMDb Page

This one just might have the silliest name of the entire Halloween series. I mean, “H20?” You mean like the chemical formula for water? Who thought this out? The flick’s tagline is “Blood is thicker than Water,” so I guess they tried to tie in the whole water thing to the marketing. Okay, enough with that. The seventh installment in the franchise sees the return of Laurie Strode (Jamie Lee Curtis), who’s now the dean of a private school in California. Unfortunately for her, and fortunately for the audience, Michael Myers (Chris Durand) is also alive and well, and is making his way to the West Coast to kill her. Could this be the final showdown between Laurie and Michael? Don’t count on it!

Despite the water-logged title, Halloween H20: 20 Years Later is actually one of the better regarded sequels in Halloween universe. I think a lot of its appeal comes from the return of Laurie Strode, who goes by the alias “Keri Tate” in this picture. The last time she was seen in the Myers saga was Halloween II (1981), so many an audience member reacted positively to seeing her character come back and kick some ass. The final fights between her and Michael are, of course, the reason to watch.

On the down side, it seems like the filmmakers can only be so original with the seventh entry in the series. Halloween H20 sometimes feels like a “greatest hits” reel for the franchise so far. After the pre-opening credits sequence, this movie takes a while to get going. I’m not sure I’d describe it as a slow start exactly, but it comes close. The runtime’s short, though, so, all things considered, it doesn’t take that long for Michael Myers’ rampage to begin. The grungy Creed song (“What’s This Life For”) that plays over the end credits is, er, an interesting touch.

H20 is certainly competently made and avoids mistakes (unless you count misspelling Donald Pleasence’s last name “Pleasance” when dedicating it to him at the end), but is that enough? Well, it’s not the most original Halloween film, but I like it. If you’ve kept with the series this far, I’m sure you’ll get a kick out of it, too.

My rating is 7 outta 10.

Halloween: The Curse of Michael Myers (1995) Review

Director: Joe Chappelle

Genre(s): Horror, Thriller

Runtime: 87 minutes (standard version), 95 minutes (Producer’s Cut)

MPAA Rating: R

IMDb Page

Well, what does the sixth entry into the Halloween franchise have in store for viewers? Halloween 5: The Revenge of Michael Myers (1989) was hardly the strongest movie in the series, so where do things go from there? In this film, killer Michael Myers (George P. Wilbur) and his beer belly return and chase around Jamie Lloyd’s (J.C. Brandy) baby for about an hour and a half. However, this time we’ve got an army of robed cultists who use Myers as a tool for making Halloween-time human sacrifices. Yes, that is a thing now.

Oh, how innocently this franchise began! Now look at its convoluted lore, overdone traditions, and wacky elements. As you may have guessed, Dr. Loomis (Donald Pleasence) comes back and he’s still doing monologues on Myers being “pure evil.” Jeez, give it a rest, old man. Unfortunately, this would be Pleasence’s last Halloween film, as he would die before the picture’s release. Paul Rudd, better known to modern audiences at Ant-Man, shows up here as Tommy Doyle, a grown-up version of one of the kids that was babysat in the original Halloween (1978). I’m sure he’s very proud of his performance here.

Okay, this feature may make your eyes roll at times, but that’s part of the fun. This is the most ridiculous of the Myers Halloween flicks yet, as well as being the most violent one at the time of its original release (the electrocution scene is so over-the-top, one can’t help but laugh). It’s a barely coherent horror picture that tries to explain too much of why ol’ Michael is basically unkillable. Oh, yeah, the end credits also have a grunge rock song (“And Fools Shine On” by Brother Cane) play over them. I mean, this was the mid-1990s, after all.

A “Producer’s Cut” of the film exists that’s supposedly more watchable, but I haven’t seen it yet. Still, I crave this sort of crazy schlock. It’s not exactly compelling on a filmmaking level, but I can sit back and enjoy a serious motion picture (like the original Halloween) and also get some fun out of a confusingly-made movie like this, about an invincible serial killer and his, uh, cult of robed fanatics. I’m giving it a positive rating, because of how far-out it is.

My rating is 7 outta 10.

Halloween 5: The Revenge of Michael Myers (1989) Review

Director: Dominique Othenin-Girard

Genre(s): Horror, Thriller

Runtime: 96 minutes

MPAA Rating: R

IMDb Page

When giving a short plot description of the fifth entry into the Halloween series, it’s hard not to sound like you’re repeating the story from the previous installment, Halloween 4: The Return of Michael Myers (1988). Once again, seemingly invincible killer Michael Myers (Don Shanks) is on the loose and chasing after his niece, Jamie (Danielle Harris). It’s hard not to get just a little bit of déjà vu watching this barely passable slasher thriller.

Yes, Dr. Loomis (Donald Pleasence) returns for more, and he’s slightly crazier than we’ve seen before…so that’s something, I suppose. He’s still consumed with killing Myers once and for all, and his obsession is starting to get a little creepy at this point. One of the more notable aspects of this feature is the inclusion of two bumbling cops, Nick Ross (Frankie Como) and Tom Farrah (David Ursin), who I believe are here for comic relief. Several other characters exist for the sake of being cut down by Michael Myers, as you would expect.

Despite repeating some material from the previous Halloween film, there are some reasonable horror and suspense scenes here. The sequence in the metallic chute (I’m not giving away any more than that) is probably one of the better nail-biter scenes of the Halloween sequels. Speaking of sequels, does this movie bait us for one or what? Hell, the elements promising a continuation of the story are probably the most interesting aspects of Halloween 5: The Revenge of Michael Myers.

The Halloween series isn’t running on fumes yet, but it sort of feels like we’re getting there. Halloween 5, like Myers himself, seems to just keep going and going, even if the runtime is only 96 minutes. I don’t really think it can be considered a classic, but I’ll give it a passing score because, although it contains many familiar plot points, they’re generally executed with competence. Should you watch it? Well, you’ve come this far into the franchise, so why stop now?

My rating is 7 outta 10.

Halloween 4: The Return of Michael Myers (1988) Review

Director: Dwight H. Little

Genre(s): Horror, Thriller

Runtime: 88 minutes

MPAA Rating: R

IMDb Page

After Halloween III: Season of the Witch (1982) underperformed at the box office, it was decided to bring killer Michael Myers back to the series. Essentially ignoring the wacky events of the previous film, Michael Myers (George P. Wilbur) escapes from captivity to stalk his niece, Jamie Lloyd (Danielle Harris), killing anybody who gets between him and her. This all takes places on the tenth anniversary of Myers’ murder spree back in 1978, as depicted in the movies Halloween (1978) and Halloween II (1981). Oooo…scary!

Despite the triumphant return of the Halloween theme music (originally written by John Carpenter), this is largely a by-the-numbers and, at times, predictable slasher flick. Okay, it’s not bad, but even the quirky Halloween III is superior. The pacing is not particularly propulsive, which just might be the biggest drawback here. Sometimes characters don’t act as terrified or adrenaline-driven as they probably should be when in the presence of Michael Myers.

There are few good moments of horror action in this feature, like an exploding car at a gas station or Myers taking over a speeding automobile. Even if the pacing lags at times, Myers is still a force of nature, stealing the show, as expected. There are a couple of cheesy moments to be found in this picture, but it doesn’t really bother me, and only adds some enjoyment for this viewer. It’s something to shake up the slasher film formula.

Halloween 4: The Return of Michael Myers is not exactly required viewing for fans of the original movie, but it’s not a waste of time. It deepens the silly-but-fun lore of the franchise somewhat and has several memorable death scenes. I suppose that that’s enough for it to earn a thumbs-up. Halloween 4 has its fans, so, who knows? You could end up being one of them.

My rating is 7 outta 10.

Halloween III: Season of the Witch (1982) Review

Director: Tommy Lee Wallace

Genre(s): Horror, Science-Fiction, Thriller

Runtime: 98 minutes

MPAA Rating: R

IMDb Page

Halloween III: Season of the Witch is the only entry into the Halloween series (so far) to not feature Michael Myers as the villain. Instead, we have a plot about a doctor named Daniel Challis (Tom Atkins), who decides to investigate the murder of one of his patients, uncovering a homicidal conspiracy (no, you’re not getting any more information on the story than that). After Halloween II (1981), John Carpenter (who directed the first one) came to the conclusion that each new installment in the franchise should tell a completely new story, making it sort of an anthology. However, after Halloween III underperformed at the box office, Myers had to be brought back to the Halloween films.

There’s no way to get around saying it: Halloween III is one goofy movie. Sure, there are a few creepy moments, but the whole thing is increasingly far-fetched and impossible to take seriously. Fortunately for me, I enjoy my cinema both zany and serious, so this flick’s craziness doesn’t bother me. Yes, this is the Halloween movie that has the science-fiction elements. It almost feels like a This is Spinal Tap (1984)-esque parody at times.

Tom Atkins’ Dr. Challis is an amusing choice for a film hero. He’s an alcoholic who hits on every woman he comes across (except for his wife, Linda [Nancy Kyes], of course). Having a jerkass like this as the protagonist might sink a normal movie, but this picture is clearly in schlockapalooza territory. It only adds to the so-bad-it’s-good nature of most of the production. Oh, yeah…no review of this work would be complete without bringing up that devilishly catchy commercial jingle that’s constantly popping up (you know the one I’m talking about).

If you like kitsch, Halloween III is a fun interlude in the Michael Myers saga. It’s hard to believe it belongs to the same franchise as Halloween (1978). It’s definitely off-the-deep-end, but you just might enjoy the way this feature makes you throw your hands up in the air at its absurdity. If this doesn’t sound appealing to you, you’ll probably end up screaming “STOP IT!” at your television set for most of the movie.

My rating is 7 outta 10.

Jaws (1975) Review

Director: Steven Spielberg

Genre(s): Adventure, Drama, Horror, Thriller

Runtime: 124 minutes (standard version), 130 minutes (extended edition)

MPAA Rating: PG

IMDb Page

Director Steven Spielberg’s Jaws is one of those films that reminds you of why you fell in loves with movies in the first place. A trio of men – police chief Brody (Roy Scheider), seasoned shark-hunter Quint (Robert Shaw), and marine biologist Hooper (Richard Dreyfuss) – set out to hunt down a large shark that’s been terrorizing a coastal town. This summer blockbuster has held up beautifully over the years, still pleasing its audience.

This horror-thriller’s most iconic aspect is, of course, its vigorous musical score, which put its composer, John Williams, on the map. It should be mentioned that Jaws actually has a strong dramatic core to it, thanks to vividly-drawn characters that the viewer becomes attached to. Of course, the stuff with the shark is still cool, but this picture provides a reason to care about the man-versus-beast confrontation.

Jaws sometimes resembles a seaside slasher flick with a literal animal instead of a figurative one. While the special effects for the central fish are often derided as fake-looking, I think that they’re sublime. The filmmakers wisely kept the shark offscreen for as much of the runtime as possible, only really showing off the monster extensively during the grand finale. The feature also does an impressive job of capturing the atmosphere of a small town effectively under siege by a fiendish foe.

Likely to make anybody too frightened to go into the ocean, Jaws is superb entertainment. It really shouldn’t come as a surprise that it became the highest grossing movie of all time upon its release (although it was soon outdone by Star Wars: Episode IV – A New Hope [1977]). Amazingly, Spielberg has managed to top the film several times so far during his career as a director.

My rating is 8 outta 10.