Director: Steven Spielberg
Genre(s): Action, Adventure, Comedy, Kids & Family
Runtime: 107 minutes
MPAA Rating: PG
Being an American, I wasn’t all that familiar with the character of Belgian comic hero Tintin growing up (although I do remember watching the cartoon series The Adventures of Tintin on television). I’m grateful for director Steven Spielberg for largely introducing audiences in the United States to the world of Tintin with the 2011 animated motion picture The Adventures of Tintin. Blending three of the classic Tintin stories (The Crab with the Golden Claws, The Secret of the Unicorn, and Red Rackham’s Treasure) together, the plot involves intrepid reporter Tintin (Jamie Bell) and his dog, Snowy, going on an adventure after purchasing a model ship that everybody wants to have a part of. Okay, after using the word “Tintin” approximately 10,000 times over the course of one paragraph, let’s get on with the review.
After directing the Indiana Jones flicks, Steven Spielberg was a perfect choice to helm an entry into the almost equally pulpy Tintin franchise. Many (but not all) of the beloved characters from the comics make an appearance here, and there are several visual references to other Tintin adventures. As much as I loved the film overall, I am a bit disappointed with its depiction of Captain Haddock (Andy Serkis). He shows a bit too much of his buffoonish side here, and not quite enough of his badass personality. All of the other characters seem to be on-point, though.
For this feature, the action in the comics was taken and pumped up to an eye-popping extreme. The film’s manic action sequences are astounding, featuring camerawork and choreography that would be near-impossible to pull off in a live-action movie. From a pirate battle to a wild chase through the streets of a Moroccan city, the big set-pieces really bring out the viewer’s inner child. Also worthy of mention are John Williams’ lively musical score and the fantastic opening credits scene.
The Adventures of Tintin is definitely one of my favorite animated movies of all time, and, as far as action-adventure pictures go, it’s up there, too. It has both the lovable characters and the jaw-dropping action scenes that those sort of features need to succeed. It’s terrific entertainment for most ages (there is some blood in one scene, after a man is shot) that’s bound to encourage viewers to learn more about the Tintin universe. Let’s hope that that sequel gets made!
My rating is 8 outta 10.
Director: Dwight H. Little
Genre(s): Horror, Thriller
Runtime: 88 minutes
MPAA Rating: R
After Halloween III: Season of the Witch (1982) underperformed at the box office, it was decided to bring killer Michael Myers back to the series. Essentially ignoring the wacky events of the previous film, Michael Myers (George P. Wilbur) escapes from captivity to stalk his niece, Jamie Lloyd (Danielle Harris), killing anybody who gets between him and her. This all takes places on the tenth anniversary of Myers’ murder spree back in 1978, as depicted in the movies Halloween (1978) and Halloween II (1981). Oooo…scary!
Despite the triumphant return of the Halloween theme music (originally written by John Carpenter), this is largely a by-the-numbers and, at times, predictable slasher flick. Okay, it’s not bad, but even the quirky Halloween III is superior. The pacing is not particularly propulsive, which just might be the biggest drawback here. Sometimes characters don’t act as terrified or adrenaline-driven as they probably should be when in the presence of Michael Myers.
There are few good moments of horror action in this feature, like an exploding car at a gas station or Myers taking over a speeding automobile. Even if the pacing lags at times, Myers is still a force of nature, stealing the show, as expected. There are a couple of cheesy moments to be found in this picture, but it doesn’t really bother me, and only adds some enjoyment for this viewer. It’s something to shake up the slasher film formula.
Halloween 4: The Return of Michael Myers is not exactly required viewing for fans of the original movie, but it’s not a waste of time. It deepens the silly-but-fun lore of the franchise somewhat and has several memorable death scenes. I suppose that that’s enough for it to earn a thumbs-up. Halloween 4 has its fans, so, who knows? You could end up being one of them.
My rating is 7 outta 10.
Director: J.J. Abrams
Genre(s): Action, Adventure, Fantasy, Science-Fiction
Runtime: 141 minutes
MPAA Rating: PG-13
The finale of Star Wars: Episode VI – Return of the Jedi (1983) will always be my preferred ending to the Star Wars saga. Everything that came after 1983 is basically non-canon in my book. Entertaining, imagination-capturing, and fun to discuss? Definitely…but not canon. The movie concluding the “sequel trilogy” or “Disney trilogy” of the Star Wars franchise is Star Wars: Episode IX – The Rise of Skywalker, and your opinion of it will probably depend on if you accept it into your “headcanon” or not. Anyway, the plot’s about a certain villain from the series mysteriously returning and orchestrating a plot to turn Rey (Daisy Ridley) to the Dark Side of the Force, while conquering the galaxy in the process. You know the deal.
Doing lots of damage control as a result of Star Wars: Episode VIII – The Last Jedi (2017), this feature crams a ton of content into its nearly two-and-a-half-hour runtime. Fortunately, it’s the characters that come through to save the picture’s neck. Whether they be new or old, cute or badass, the characters mostly nail it. This is The Rise of Skywalker‘s biggest strength, even if the events that take place in the film don’t always make sense. Watching so many fan-favorites or to-be-fan-favorites working together to keep the movie afloat left me feeling ecstatic at times. The action is exciting (if ludicrously over-the-top at times…but I suppose that’s just part of the fun) and John Williams’ musical score is right on the bull’s-eye.
As I mentioned in the above paragraph, not every narrative choice pays off (how exactly does the primary villain of the picture, who we’ve seen before, return to the stage?). Due to this trilogy’s filmmakers not having an overarching plan, the flick sometimes feels rushed or sloppy. The primary reason I don’t accept these new films into my “headcanon” is the undoing of the ending of the aforementioned Return of the Jedi. This is a sore spot for many Star Wars fans, and I can’t blame them for being “salty” over it. Still, if you consider this trilogy to be some sort of alternate timeline or “what-if?” story taking place after the conclusion of the original three movies, it’s quite rousing.
I’m going to go out on a limb here, and say that The Rise of Skywalker is just about as good a finale for the sequel trilogy as was possible after The Last Jedi largely tore apart the “mystery boxes” established in Star Wars: Episode VII – The Force Awakens (2015) (and after the passing of Carrie Fisher, who played Princess Leia). It also works very well as a standalone sci-fi/action-adventure tale. However, how is it as an ending of the entire Star Wars saga, as was started all the way back in 1977? Let’s just say that Return of the Jedi will always be my official conclusion of the story.
My rating is 8 outta 10.
Director: Michael Curtiz
Genre(s): Action, Adventure, Romance, War
Runtime: 115 minutes
MPAA Rating: Not Rated
It seems to me that 1936’s The Charge of the Light Brigade set out to be the biggest, most exciting, most epic-scale war/action-adventure picture made up to that point in time. It’s about a romantic triangle set amidst the chaos of unrest in British-occupied India and, later, the Crimean War. This was one of nine movies where Errol Flynn (playing Geoffrey Vickers here) and Olivia de Havilland (as Elsa Campbell) played love interests.
First and foremost, it should be pointed out that the dazzling action scenes found here might be the best in movie history up to the point of its initial release (“Here’s your action!” Errol Flynn says as one battle breaks out, almost as if he’s addressing the audience). Well, the hyper-realistic combat scenes in All Quiet on the Western Front (1930), released six years earlier, might top it, but The Charge of the Light Brigade puts up one Hell of a fight to outdo it. However, it definitely needs to be said that about twenty-five horses were killed or had to be put down due to the trip-wires used to make them fall over when “shot” (in addition, at least one human stuntman died during filming). It also appears that an actual leopard or two were shot and killed during a hunt sequence set in India. This senseless slaughter led to the Congress of the United States passing laws to protect animals on film sets.
The music in this feature, composed by Mex Steiner, is one of its highlights. The same cannot be said of the romantic triangle that takes up a significant portion of the runtime. It’s pretty mind-numbing stuff, and there are a couple of other dialogue-heavy scenes not related to the love story that slow down the pace a tad. When it comes to historical accuracy, it’s best to just shut your brain off while watching The Charge of the Light Brigade, because this movie strays from the facts innumerable times. This doesn’t bother me as much as the animal killings, though.
It’s hard not to feel a little guilty watching this flick for that reason. The battles are stupendous, but the wanton cruelty to creatures here is impossible to ignore (supposedly, star Errol Flynn almost killed director Michael Curtiz over the treatment of the horses). I would normally call the romance in a war film like this to a subplot, but, here, it almost feels like the A-story. These flaws mean that The Charge of Light Brigade is an overall slightly above average picture. If you can stomach the carnage during the action sequences, it might be worth a watch.
My rating is 6 outta 10.
Director: Peter MacDonald
Genre(s): Action, Adventure, Drama, War
Runtime: 99 minutes
MPAA Rating: R
It may have the mandatory close-up of Jean-Claude Van Damme’s ass, but Legionnaire is not your typical movie to feature the Muscles from Brussels. I sure don’t recall seeing any roundhouse kicks. Anyway, this film is about French boxer Alain Lefevre (Jean-Claude Van Damme) joining the French Foreign Legion in the 1920s to avoid the mob. He, of course, ends up serving in the Rif War in Morocco. It’s not the most original tale, but it’s a well-told story that kept my attention.
While primarily a war/action-adventure flick, Legionnaire features a satisfactory dramatic core. Jean-Claude Van Damme has an underappreciated knack for picking projects with nifty, simple, yet effective, emotional hooks. The characters here are mostly clear and easy to root for. The musical score by John Altman works well, and there’s only a minimum of romance.
All of those components are fine and dandy…but how’s the action? If you’re just here for the combat, then you probably won’t leave disappointed. The film’s action sequences, mainly battles between the French Foreign Legion and Moroccan rebels, are truly excellent. This picture was directed by Peter MacDonald, who also helmed Rambo III (1988), and his scenes of physicality here are almost as impressive as the ones in that Rambo flick. Van Damme is definitely in action hero mode here, but he’s not really an obnoxiously unrealistic one-man army.
On the flip side, Legionnaire is home to some of the most clichéd dialogue in movie history. If an original script is one of the primary things you look for in a film, please skip this one. However, if all you’re looking for is a war picture with reasonable drama and spectacular action set-pieces, Legionnaire is more-than-worth looking into. It’s much more epic in scope than your average JCVD feature and feels more grounded in reality. I like it quite a bit.
My rating is 8 outta 10.
Director: Tommy Lee Wallace
Genre(s): Horror, Science-Fiction, Thriller
Runtime: 98 minutes
MPAA Rating: R
Halloween III: Season of the Witch is the only entry into the Halloween series (so far) to not feature Michael Myers as the villain. Instead, we have a plot about a doctor named Daniel Challis (Tom Atkins), who decides to investigate the murder of one of his patients, uncovering a homicidal conspiracy (no, you’re not getting any more information on the story than that). After Halloween II (1981), John Carpenter (who directed the first one) came to the conclusion that each new installment in the franchise should tell a completely new story, making it sort of an anthology. However, after Halloween III underperformed at the box office, Myers had to be brought back to the Halloween films.
There’s no way to get around saying it: Halloween III is one goofy movie. Sure, there are a few creepy moments, but the whole thing is increasingly far-fetched and impossible to take seriously. Fortunately for me, I enjoy my cinema both zany and serious, so this flick’s craziness doesn’t bother me. Yes, this is the Halloween movie that has the science-fiction elements. It almost feels like a This is Spinal Tap (1984)-esque parody at times.
Tom Atkins’ Dr. Challis is an amusing choice for a film hero. He’s an alcoholic who hits on every woman he comes across (except for his wife, Linda [Nancy Kyes], of course). Having a jerkass like this as the protagonist might sink a normal movie, but this picture is clearly in schlockapalooza territory. It only adds to the so-bad-it’s-good nature of most of the production. Oh, yeah…no review of this work would be complete without bringing up that devilishly catchy commercial jingle that’s constantly popping up (you know the one I’m talking about).
If you like kitsch, Halloween III is a fun interlude in the Michael Myers saga. It’s hard to believe it belongs to the same franchise as Halloween (1978). It’s definitely off-the-deep-end, but you just might enjoy the way this feature makes you throw your hands up in the air at its absurdity. If this doesn’t sound appealing to you, you’ll probably end up screaming “STOP IT!” at your television set for most of the movie.
My rating is 7 outta 10.
Director: Rian Johnson
Genre(s): Comedy, Crime, Mystery, Thriller
Runtime: 130 minutes
MPAA Rating: PG-13
Now this is the kind of film that director Rian Johnson should be making, instead of “subverting [the] expectations” of Star Wars fans with Star Wars: Episode VIII – The Last Jedi (2017) (which is still a movie I enjoy on some level). After famous murder mystery author Harlan Thrombey (Christopher Plummer) is found dead in his mansion, detective Benoit Blanc (Daniel Craig) brings in the writer’s family to see if foul play was involved. This is an excellent whodunit murder mystery picture that made me want to see more adventures of Daniel Craig’s character.
The plot of Knives Out is intricate, but, by mystery movie standards, it doesn’t feel convoluted. I’m no good at following flicks that are like the latter, so if I could understand what was going on, you, almost certainly, will be able to as well. Fortunately for the audience, the various characters in this feature are mostly well-defined and played by an all-star cast. Despite all of the twists and turns, the film doesn’t really try to confuse the viewer or make following the details difficult.
Knives Out, in addition to being a mystery/thriller movie, is a comedy. Yes, it’s funny, but it’s definitely the murder-related elements that keep it afloat. It’s certainly self-aware, but that doesn’t become a hindrance to enjoyment (Knives Out isn’t as cheeky as critics of The Last Jedi may have feared). It’s interesting to note that Christopher Plummer’s character’s home is filled with knick-knacks that seem to stare back at the audience and the people within the film. This may be a reference to Sleuth (1972), which did something similar.
This work left me wanting more…in a good sort of way. It doesn’t really matter if it would be other murder mysteries or another picture or two featuring Daniel Craig’s Benoit Blanc. I suppose that’s a sign that something went right. Knives Out is an admirable flick, largely thanks to a well-told plot and a cast of characters that the viewer can keep track of. Oh, yeah, it’s pretty funny as well.
My rating is 8 outta 10.