Superman III (1983) Review

Director: Richard Lester

Genre(s): Action, Adventure, Comedy, Romance, Science-Fiction

Runtime: 125 minutes

MPAA Rating: PG

IMDb Page

I think most people who’ve seen the Superman series would agree that Superman III is a step down from the first two. It’s not bad, but parts of it are a bit of a chore by superhero movie standards. Evil businessman Ross Webster (Robert Vaughn) is obsessed with cornering the market for certain commodities, so he decides to eliminate Superman (Christopher Reeve) with some artificial kryptonite to prevent the Man of Steel from interfering with his plans. There’s an interesting idea or two to be found here, but, overall, it feels routine.

Superman III is a lot more comedic than Superman (1978) or Superman II (1980), not that those films didn’t have plenty of comic relief. Much of the humor is provided by the character Gus Gorman (Richard Pryor), a down-on-his-luck dude who turns out to be a whiz with computers. Speaking of computers, they’re all over the place here, in all their bulky, 1980s-looking glory. The technology is mighty dated, as is the picture’s campy aesthetic, but it serves as a cautionary tale about the powers of new-fangled gadgetry.

On the action front, things are…adequate. There’s a nice punch-up involving Superman in a junkyard that I won’t spoil the details of, but the finale feels fairly lethargic at times for the conclusion of an action-adventure flick. The special effects are actually on the impressive side, but what good are they when the story is undercooked? It’s cool and all seeing Superman constantly saving the day, but he needs a tighter plot to back him up.

Although the musical score is done by Ken Thorne, John Williams’ classic themes make a return. Lois Lane (Margot Kidder) does too, but the main romantic subplot here is between the titular character and his hometown high school sweetheart, Lana Lang (Annette O’Toole). Okay, this one isn’t essential viewing, but it’s not torture. It has a few enjoyable moments, but it sort of takes a while for the actual plot to kick in.

My rating is 6 outta 10.

FDR: American Badass! (2012) Review

Director: Garrett Brawith

Genre(s): Comedy, War

Runtime: 93 minutes

MPAA Rating: R

IMDb Page

Warning: If you have any dignity, taste, reverence, self-respect, integrity, class, culture, or decency, turn off your DVD/Blu Ray player right now and avoid this film like the plague. However, if you lack those traits, you’ll probably enjoy this ultra-low-brow comedy about U.S. President Franklin D. Roosevelt (Barry Bostwick) preventing Axis werewolves from taking over the world. Yes, there will be polio jokes.

The humor in FDR: American Badass! ranges from Airplane! (1980)-esque silliness to randy, raunchy punchlines, including a couple revolving around taking a dump in a flower vase. This comedy certainly won’t appeal to everyone, but there is a great deal of joy to be had from the anachronistic swearing and dialogue. The hammy acting and the horrible, low-budget special effects only add to the “funny factor.”

Yeah, a couple of the “sketches” that make up the movie may last a little too long, and not every joke lands (of course, there’s so many that some duds are expected). The introductory sequence is pretty cringe-inducing, but, if all you want are cheap laughs and obscenities aplenty, it’s smooth sailing after that. It’s not an action picture, despite some claims, so don’t expect the titular character’s tricked-out wheelchair to be used as much as you might hope.

FDR: American Badass! is perhaps the first film that pops into my head when I hear the phrase “dumb comedy.” It’s pretty undemanding and “politically incorrect,” and will probably end up a personal classic for those who watch it and don’t expect anything more than gags about polio, promiscuity, pot, and poop. I laugh a lot at it, despite its trashy aesthetic, so I’m going to give it a thumbs-up for certain audiences.

My rating is 8 outta 10.

The Night of the Hunter (1955) Review

Director: Charles Laughton

Genre(s): Crime, Drama, Horror, Thriller

Runtime: 92 minutes

MPAA Rating: Not Rated

IMDb Page

Charles Laughton only directed one film in his career (well, IMDb does have him listed as an uncredited co-director for The Man on the Eiffel Tower [1949]), and that picture is the masterpiece The Night of the Hunter. Set during the Great Depression, serial-killing preacher Harry Powell (Robert Mitchum) stalks two children – John (Billy Chapin) and Pearl Harper (Sally Jane Bruce) – who’re hiding a small fortune that their late father – Ben Harper (Peter Graves) – stole for them. Often considered a film-noir, I feel that this horror-thriller classic is better classified as some sort of dark fairy tale.

Influenced by German Expressionism, this movie’s shadowy cinematography is some of the very best of all time. Robert Mitchum’s fanatical, murderous holy man is one of the greatest villains to ever grace the silver screen. There are several intentionally uncomfortable moments involving his character that’ll have you squirming in your chair. He’s a vicious, greedy wolf-in-sheep’s-clothing that the audience will love to hate.

The third act of The Night of the Hunter is decidedly less intense than the first two-thirds. It’s certainly not bad…far from it. It just lacks some of the menace that the opening and middle sequences had. There are also some touches towards the end that feel like they were mandated by the Production Code of the time. However, not even a saccharine ending can sink this ship.

The Night of the Hunter is a must-watch for people wanting to learn more about the art of cinema. It’s artistically distinguished, but can also be easily enjoyed by any type of viewer. This highly relevant story is full of suspense and drama, with a gripping, superb visual style. It has an easy-to-manage runtime of 92 minutes and one of the best baddies in the medium, so why not watch it today?

My rating is 9 outta 10.

Farewell to the King (1989) Review

Director: John Milius

Genre(s): Action, Adventure, Drama, War

Runtime: 117 minutes

MPAA Rating: PG-13

IMDb Page

One of John Milius’ more underappreciated directorial efforts is the 1989 war-time action-adventure flick Farewell to the King. During World War II, an American soldier named Learoyd (Nick Nolte) goes A.W.O.L. to become the leader of a tribe of natives deep in the jungles of Borneo. This macho, yet sensitive, war-drama is a real treat if you can get your hands on it.

Farewell to the King, of course, has very good action sequences, but the real reason to watch this obscure movie is for its human drama. Several moments, including the tearjerker ending, are bound to get an emotional reaction out of the audience. The impact of these scenes is heightened by Basil Poledouris’ musical score, which simply has to be one of the best in cinema history. There is also some grand cinematography to be found here, as the camera captures great jungle landscapes and skies.

Yeah, this motion picture might overly romanticize “underdeveloped” societies, but, hey, it’s just a movie. Being a heroic depiction of a king that doesn’t appear to have any constitutional restraints is a tad troubling, making it feel like it has monarchist sympathies. The feature also veers from bloodthirstiness to pacifism with little predictability, but, well, it’s a John Milius movie. You get what you pay for.

Farewell to the King is an underrated action-adventure gem waiting to be discovered. It works if you’re looking for high adventure with World War II as its backdrop or if you’re looking for a character-centered drama with an epic musical score to prop it up. I can’t say it’s a realistic, or even plausible, film, but it’s just too damn entertaining to miss.

My rating is 9 outta 10.

Superman II (1980) Review

Directors: Richard Lester and Richard Donner

Genre(s): Action, Adventure, Drama, Romance, Science-Fiction

Runtime: 127 minutes (standard version), 116 minutes (Richard Donner Cut)

MPAA Rating: PG

IMDb Page

As promised at the end of Superman (1978), the superhero would return in a sequel that would pick off where the first left off. Here, Superman/Clark Kent (Christopher Reeve) must prevent the three Kryptonian criminals from the opening of the previous film – Zod (Terence Stamp), Ursa (Sarah Douglas), and Non (Jack O’Halloran) – from taking over Earth. It’s a pretty similar experience to the 1978 picture, but some people prefer this one.

Superman II greatly benefits from having more intimidating baddies than the first movie in the franchise. The menace of Zod, Ursa, and Non, while offering a few comedic moments, is mostly played straight. They have the same superhuman abilities as Superman and put up quite a fight against the titular character. Lex Luthor (Gene Hackman) returns here, but he’s out of the picture for too much of the runtime to make that much of an impression.

The special effects are fine, sometimes looking quite quaint. The action scenes are an improvement over the ones in 1978’s Superman. The White House assault and the big battle in downtown Metropolis between the title character and the three major villains stand out most. The mass destruction caused by the latter sequence is highly impressive considering its release date.

John Williams doesn’t do the music for Superman II (the score is composed by Ken Thorne), but his amazing themes return. Anyway, this one is only marginally less-good than the first in the series. It doesn’t feel as tight as it potentially could’ve been, but the wholesome heroics are back, and this one does manage to top Superman in some regards. If you liked the 1978 flick, you’ll probably have similar feelings about the first sequel.

My rating is 7 outta 10.

Superman (1978) Review

Director: Richard Donner

Genre(s): Action, Adventure, Drama, Romance, Science-Fiction

Runtime: 143 minutes (standard version), 151 minutes (2000 restoration), 188 minutes (Extended Version)

MPAA Rating: PG

IMDb Page

Before Iron Man (2008), before Batman (1989), there was 1978’s Superman. Yes, this is, more or less, the grandpappy of the modern superhero picture…so, how does it hold up? The story concerns itself with Clark Kent (Christopher Reeve), a human-like being sent from another world to Earth as a child. His extraordinary powers, like super-speed and super-strength, convince him to take up the role of a superhero to protect the people of his adoptive planet. Of course, he also has to fall in love (with fellow reporter Lois Lane [Margot Kidder]) and foil the plot of a mad genius.

Superman has a bit of a reputation for being a boring character, but I think that the 1978 film does a swell job of humanizing him. He may be able to snatch a speeding bullet out of midair, but he has the emotions of any typical human, and the dramatic challenges he confronts (like the decision to leave the farm he was raised on or not) make for some of the more memorable moments of the movie. However, arguably the best aspect of the picture is its titanic John Williams musical score that you’ll probably be humming long after the feature is over.

The special effects here are a mixed bag. Some hold up nicely, but most are pretty dated. The tone is sort of weird, veering from serious to hokey. The threat posed by the villain, madman Lex Luthor (Gene Hackman), varies by scene. His nefarious plot arrives a bit too late in the runtime and many of his scenes are marred by silly comedy that undermine his potential menace. The climatic resolution to Superman’s problems may also leave some audience members scratching their collective heads.

Despite being the first major comic book superhero flick, Superman has a couple of touches that could be considered fairly meta for their time (like a brief, humorous bit when Clark Kent decides not to put on his Superman costume in an exposed telephone booth surrounded by people gawking at the disaster he’s trying to dampen the impact of and find a more reclusive spot to don his suit). All in all, this is a good, but not great, entry into the action-adventure genre. It’s got the heart and the music of a wonderful movie, but some elements just weren’t willing to play ball.

My rating is 7 outta 10.

The Adventures of Robin Hood (1938) Review

Directors: Michael Curtiz and William Keighley

Genre(s): Action, Adventure, Romance

Runtime: 102 minutes

MPAA Rating: PG

IMDb Page

1938’s The Adventures of Robin Hood was the first major film released by Warner Bros. to use the new three-strip Technicolor process to generate realistic colors on the big screen. It was a wise choice for that distinction. Set in medieval England, renegade Saxon lord Robin Hood (Errol Flynn) launches an insurrection against the vile Prince John (Claude Rains), who has taken over the throne of the country while the true king, Richard (Ian Hunter, not the one of Mott the Hoople fame), is off fighting in the Crusades. This is one of the best action-adventure flicks of the 1930s.

The movie benefits from an abundance of skillfully-made and very rousing action sequences (Errol Flynn’s Robin Hood even beats up a couple of goons with a dead deer at one point). This must’ve been one of the most action-packed motion pictures yet made back in 1938. Amplifying the thrills is Erich Wolfgang Korngold’s wonderful musical score. It’s a remarkably merry actioner, with characters constantly bursting out laughing at the slightest comic relief.

If there’s one fault to be had with The Adventures of Robin Hood, it’s that the film seems to endorse the foreign policy isolationism that was all the rage in the United States at the time of its release. Robin Hood chides King Richard at one point for his foreign adventurism, a sentiment that would look mighty dated one year later when World War II broke out (this is not to say that the medieval Crusades were justified, of course). Robin Hood’s traditional steal-from-the-rich-to-give-to-the-poor narrative also seems a bit muddled by the fact that he’s largely fighting for the sake of restoring a monarch to his throne here.

This is a lively and, dare I say it?, colorful quasi-historical action-adventure feature with a dash of romance (between Robin Hood and Maid Marian [Olivia de Havilland], of course). The characters are well-defined and Errol Flynn is perfectly cast as the titular hero. The action scenes and the musical score also hit the bull’s-eye, so watch it if you haven’t seen it already.

My rating is 8 outta 10.