Once Upon a Time… In Hollywood (2019) Review

Director: Quentin Tarantino

Genre(s): Comedy, Drama

Runtime: 161 minutes

MPAA Rating: R

IMDb Page

This love letter to 1960s pop culture was directed by Quentin Tarantino, so you know what you’re going to get right away. We’re talking pop culture references out the ass, a relatively long runtime, lots of talking, a meta, ironic storytelling style, “cool” characters, and some ultra-violence at the end. I should rephrase the opening sentence. It’s a love letter to the ’60s as well as one Tarantino wrote to himself. Anyway, the story he works with here, set in 1969, is about fading Hollywood action star Rick Dalton (Leonardo DiCaprio) trying to prove that he’s still got it, while his stuntman, Cliff Booth (Brad Pitt), runs afoul of the Manson cult.

Quentin Tarantino doesn’t have much to prove at this point in his career, so this movie largely consists of people driving around in hip cars listening to badass music. There are a few stylized looks behind the scenes at 1960s moviemaking, but don’t expect any great revelations. There is some carnage in the last few minutes, but it’s pretty typical Tarantino. It’s not particularly cathartic, it’s just shoehorned in there so Tarantino can talk about how violent the film is.

The depiction of martial artist Bruce Lee (played by Mike Moh here) generated some controversy, as he’s portrayed as an up-his-own-ass narcissist. Actor Steve McQueen (played by Damian Lewis) doesn’t fare much better, as this laconic, real-life tough guy becomes just another post-modern meat-puppet made to recite Tarantino’s elaborate, knowing dialogue. Overall, this flick isn’t quite as dialogue-driven as some of Quentin’s other works, but a stronger story would’ve been nice.

‘Member this 1960s movie? ‘Member this 1960s celebrity? ‘Member this 1960s song? ‘Member when everybody used to smoke like a chimney in the 1960s? Once Upon a Time… In Hollywood doesn’t get significantly deeper than that. This is a nostalgic, senseless exercise in style that looks to the past, rather than to the future. This dramedy proves that Tarantino needs to rein in his impulses and just make a succinct, efficient, plot-driven, earnest movie instead of more wacky pastiches.

My rating is 5 outta 10.

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