Director: Henri Verneuil
Genre(s): Action, Adventure, Western
Runtime: 111 minutes
MPAA Rating: G
Anthony Quinn goes full “spaghetti western” (Italian-made western movie) in this 1968 film. Hell, it even has a musical score from Ennio Morricone! Things don’t stop there, though, with Charles Bronson showing up as Teclo, a village Hellraiser. Set in the 1740s, this flick is about Mexican bandit Leon Alastray (Anthony Quinn) being mistaken for a priest by a remote town and helping them fight off a raid by the Yaqui Native Americans.
Yes, the plot of Guns for San Sebastian does sound vaguely similar to that found in The Magnificent Seven (1960), which Charles Bronson also starred in. Even the Mexican village set in this film looks very similar to the one from that 1960 release. Was it actually filmed at the same location? I don’t know for sure, but, despite being a European co-production, it was shot in Mexico, just like The Magnificent Seven. Anyway, the outsider(s)-defending-a-helpless-community formula makes this a watchable action-adventure flick.
While not overflowing with physical combat, Guns for San Sebastian does feature some bracing action scenes. Anthony Quinn gets a chance to pile the corpses high, and the overall body count is astronomical for a western movie. There is a great deal of explosions and people falling off of horses. Seeing Quinn and Charles Bronson in the same production is fun, even if the pacing lags a little. The narrative probably could’ve been tightened up a tiny bit.
To be honest, Guns for San Sebastian probably isn’t quite as badass as I’m hyping it up to be. The cast and action may be incredible, but the movie can be on the somewhat slow-moving side. That’s largely forgiven when the movie concludes, but it’s still a criticism that should be made. It’s worth recommending. A bit of trivia about the work is that it was originally conceived as a project for Quinn’s The Guns of Navarone (1961) co-star Gregory Peck in 1964.
My rating is 7 outta 10.