Director: Howard Hawks
Genre(s): Comedy, Crime, Romance
Runtime: 92 minutes
MPAA Rating: Not Rated
Newspaper editor Walter Burns (Cary Grant) tries to win back his reporter ex-wife, Hildy Johnson (Rosalind Russell), by having them cover a murder case together. When one thinks of screwball comedies with lots of rapid-fire, fast-paced dialogue, His Girl Friday is what they think of. According to the Trivia section for this movie on IMDb, the rate of dialogue for a normal film is about 90 words per minute, while this picture attacks you with about 240 words per minutes. Yowza!
Unfortunately, this rom-com isn’t as funny as the earlier collaboration between director Howard Hawks and actor Cary Grant, Bringing Up Baby (1938). I suppose that if you think fast-talking 1940s wordplay is inherently funny, you’ll have a field day, but I was less amused. The best joke is probably the one where Grant describes how boring the character of Bruce Baldwin (Ralph Bellamy) is by name-dropping a certain actor, which was supposedly an ad-lib by Grant (it almost made me do a double-take at the television set).
I did not find His Girl Friday to be a compellingly put-together film. It sometimes comes across as repetitive, and occasionally it feels like the two major plot threads – that of Cary Grant trying to win back Rosalind Russell and the murder case coverage – don’t come together seamlessly. Some sequences heavily focus on the Grant-Russell relationship, while others heavily deal with the attempt to stop an execution from taking place. The pace just isn’t as fast as the dialogue.
Overall, I was just left with a “meh” feeling after watching this classic. Perhaps I just should’ve watched Bringing Up Baby again. Anyway, it feels longer than its runtime would indicate and it’s rather talky (although that’s expected). I’d be dishonest if I said that it was bad, but I was largely indifferent to the somewhat forgettable flick being reviewed here. You could do worse, but you could also do better.
My rating is 5 outta 10.
