Director: Robert Mulligan
Genre(s): Drama, Romance
Runtime: 102 minutes
MPAA Rating: Not Rated
Love with the Proper Stranger was just one of three movies starring Steve McQueen to be released in 1963, and it’s the weakest of the trio. It also just so happens to be the second McQueen film to have both the words “Love” and “Stranger” in the title (the other being Never Love a Stranger ). Anyway, the picture that this review concerns is about aspiring musician Rocky Papasano (Steve McQueen), who is confronted by a woman named Angie Rossini (Natalie Wood) who says that she’s carrying their child.
Maybe this just isn’t my type of movie, but I found it to be a bore and a chore to get through. Love with the Proper Stranger toys with some interesting topics, like some moral issues (that I won’t spoil here) and the importance of asserting one’s individuality, but it sinks into a mire of talkiness. I would also fault it for having a false climax or two.
“I don’t care what happens to these people” (referred to as the Eight Deadly Words by the website TV Tropes) is a saying that can stop a film dead in its tracks. This was the reaction that I had to this feature. For most of the runtime, I was pretty apathetic to the outcome of the plot. Like any bad flick, I just wanted the whole thing to end (at 102 minutes, it certainly could’ve been worse, though).
In my opinion, the Elmer Bernstein musical score is just about the only thing to go right in Love with the Proper Stranger. The critics thought differently at the time, and it was nominated for five Academy Awards (although it didn’t win any). I guess I’m in the minority on this call. I find little redeeming value here, so I’d say that you can safely skip this one unless you’re a Steve McQueen completionist.
My rating is 4 outta 10.