Director: Norman Z. McLeod
Genre(s): Comedy, Crime, Musical
Runtime: 77 minutes
MPAA Rating: Not Rated
With this movie, you can really feel the Marx Brothers starting to hit their stride. Here, the four Marxes play stowaways on an ocean liner who raise Hell on the ship and get caught up in a brewing gang war. Being based on an original screenplay, rather than one of their Broadway shows (like The Cocoanuts  and Animal Crackers ), this film feels significantly less physically-constrained than its predecessors.
With the Marx Brothers constantly harassing the rich folks on a transatlantic cruise (probably to please Great Depression-era audiences), one can easily see why critics incessantly refer to their style of humor as “anarchic.” The slapstick comedy here is timeless and the verbal stuff isn’t bad either. As with The Cocoanuts and Animal Crackers, it’s Harpo Marx (playing a character imaginatively named “Harpo”) who has the best gag – this time it’s a zany puppet show.
Monkey Business could actually be one of the more underrated gangster flicks of the Pre-Code era (the time period before the Hollywood Production Code was enforced). Okay, it’s a goofy, anything-goes comedy first and foremost and there’s no shootouts, but organized crime still plays an important role in what could be described as the picture’s plot. One of the best parts of the feature isn’t really even that funny. It’s the somewhat-played-straight fist fight that Zeppo Marx (playing a character named – you guessed it – “Zeppo”) gets into with mobster “Alky” Briggs (Harry Woods) at the end.
Monkey Business was the best Marx Brothers movie (in my opinion) at the time of its original release. It has an appropriate runtime and ends on a climatic note. This serves the humor well. It feels less like a stage play adopted into a film and more like…well, a true film. This flick is quite a bit of fun, and is recommended for fans of comedies – especially older ones.
My rating is 7 outta 10.