Director: William Castle
Genre(s): Adventure, Western
Runtime: 85 minutes
MPAA Rating: Not Rated
The Americano is a thoroughly mediocre western movie only notable for its setting. American rancher Sam Dent (Glenn Ford) travels to Brazil to deliver some cattle, but finds himself embroiled in a range war. Apparently this adventure picture was actually partially filmed in Brazil, which is a nice touch, but it’s certainly not enough to redeem the work.
One of the very first things I think of when I try to remember The Americano (Heaven forbid) is the animal footage. Being shot in South America, there’s plenty of exotic wildlife on display here (probably mostly photographed by the second unit), with these creatures often stealing the spotlight from the humans. Glenn Ford is his usual tough guy here, and Cesar Romero (who would later play the Joker in the 1960s Batman television series) gives an Anthony Quinn-esque performance as bandit Manuel Silvera.
The biggest flaw with this picture is the severe lack of action. A shoot-’em-up this ain’t, although we do get a sweet pitchfork fight towards the end. A western doesn’t have to have wall-to-wall action to be good, but it certainly helps elevate generic material…and generic this is. The film is almost more concerned with a quasi-musical number than the rough-and-tumble stuff. I guess the filmmakers wanted some dancing to appeal to as many viewers as possible.
Yes, it’s set in Brazil, but take that away, and it’d be even more forgettable than it already is. The Americano isn’t really a bad feature, but it could’ve been so much more. I wouldn’t describe it as “offensive,” even if the the Goofs section of its IMDb profile reports that, despite being set in the Portuguese-speaking part of South America, most of the Brazilians either speak Spanish or “a terrible mix of the two.” Nice.
My rating is 5 outta 10.