The Unholy Three (1925) Review

Director: Tod Browning

Genre(s): Crime, Drama, Thriller

Runtime: 86 minutes

MPAA Rating: Not Rated

IMDb Page

The silent, 1925 version of The Unholy Three could be seen as director Tod Browning’s warm-up for Freaks (1932). Here, four (yes, four) criminals – cross-dressing ventriloquist Echo (Lon Chaney), sideshow strongman Hercules (Victor McLaglen), feisty little person Tweedledee (Harry Earles), and female pick-pocket Rosie O’Grady (Mae Busch) – join forces to commit a series of robberies out of a pet shop. Now, how do you like that for a plot?!?

As one might expect after reading that synopsis, this flick can get pretty absurd at times. I mean, this quartet of outlaws even own a killer ape. It’s not quite a comedy, but this crime-drama doesn’t demand that you take it too seriously. The movie gets a lot of mileage out of its silly premise. It’s hard not to get a kick out of Harry Earles’ character, dressed as a baby, chomping a cigar.

The major downside of the silent version of The Unholy Three is that it ends with a courtroom finale. I’m generally not a fan of those sorts of conclusions, and this is no exception. It wasn’t exactly a fast-paced picture to begin with, and now we have to endure a bunch of people talking before a judge? Oh well, it doesn’t hurt the overall film too much.

It’s not perfect, but this oddity might be worth watching for fans of Lon Chaney or those looking for the weirder side of silent cinema. Does the idea of this movie appeal to you, but you’re apprehensive about viewing a film without sound? Don’t fret! Five years after it was made, a sound remake of the same title (also starring Chaney) was sent to theaters.

My rating is 6 outta 10.

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