Cloak and Dagger (1946) Review

Director: Fritz Lang

Genre(s): Adventure, Romance, Thriller, War

Runtime: 106 minutes

MPAA Rating: Not Rated

IMDb Page

During World War II, American scientist Alvah Jesper (Gary Cooper) is recruited by the Office of Strategic Services (OSS) to head to Europe to spy on Nazi Germany’s nuclear weapons program. Cloak and Dagger was directed by Fritz Lang, who had previously helmed the science-fiction masterpiece Metropolis (1927) and the serial killer thriller M (1931) and would later direct the excellent film noir The Big Heat (1953), and starred cinema icon Gary Cooper. Sounds like a dream team collaboration. How does it stack up?

This film is at its best in moments of action and suspense. The surprisingly hard-hitting hand-to-hand combat scenes are the highlight, featuring a Liam Neeson-esque throat punch or two. The final shootout doesn’t fare quite as well. In comparison, it feels lazily shot at times and lacks a distinct culmination. There are also some impressive espionage-related sequences that don’t deal with violence directly.

What keeps Cloak and Dagger back from greatness is its romantic subplot. The movie really hits a brick wall here. The scenes between Gary Cooper’s character and Italian resistance fighter Gina (Lilli Palmer) don’t add much to the final product, although some have commented that they put a human face on the toll of partisan warfare and fascist occupation. The pace would be much tighter if these scenes were written out of the screenplay.

At the end of the day, Cloak and Dagger is something less than the sum of its parts. When focused on the details of Gary Cooper’s mission, this war-time adventure-thriller is pretty memorable. It’s the romance that threatens to sabotage the end result. Still, it’s a watchable enough war picture for fans of Cooper or Fritz Lang.

My rating is 6 outta 10.

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