Director: Alfred E. Green
Genre(s): Drama, Romance
Runtime: 71 minutes, 76 minutes (restored version)
MPAA Rating: Not Rated
Baby Face is one of the most (in)famous films of the Pre-Code era of Hollywood (the time period of American sound movies before the enforcement of the Production Code). Here, Barbara Stanwyck plays Lily Powers, an unsentimental speakeasy barmaid who’s tired of being pimped out by her father, Nick (Robert Barrat), and decides to travel to New York City to sleep her way to the top of the hierarchy of a big bank there. Who plays one of her early conquests? Well, it’s wholesome he-man John Wayne, himself, playing Jimmy McCoy, Jr.
With its Great Depression-era grit, Baby Face is mostly a tough movie, showing an unscrupulous woman taking advantage of men at every turn. Its depiction of the bedroom (and bathroom) stuff is mighty coy by today’s standards, but it was considered controversial back in 1933. Pictures like these caused the moral guardians to bring the hammer down in mid-1934 by starting to enforce the Production Code, dictating what content could and couldn’t be in American films.
Barbara Stanwyck’s character in Baby Face is a sleazy, gold-digging, black-hearted vamp, turning the tables on men in general, but that’s the way the character is supposed to be. The true weak link in this flick is the third act. Here, the movie becomes more of a conventional romance feature, a jarring change of pace that doesn’t do the overall product any favors.
Baby Face is interesting to watch for its place in cinema history, but with a runtime of only 76 minutes, it’s also entertaining in its own right. Seeing the up-and-coming John Wayne (in a rare non-tough-guy performance) being conned by a floozy is quite a sight. Okay, his role is pretty small, but it’s still one of the picture’s more notable elements. Still, I can’t help but feel that this one’s last third holds it back from the big leagues.
My rating is 7 outta 10.