Dark Passage (1947) Review

Director: Delmer Daves

Genre(s): Crime, Drama, Romance, Thriller

Runtime: 106 minutes

MPAA Rating: Not Rated

IMDb Page

The third (of four) movies that Humphrey Bogart and Lauren Bacall made together was a film-noir with some interesting ideas called Dark Passage. After escaping from prison (where he was locked up for allegedly murdering his wife), Vincent Parry (Humphrey Bogart) is taken in by artist Irene Jansen (Lauren Bacall) to help him clear his name. The finished product really isn’t as good as it should be, but it’s still watchable.

One of the most notable aspects of Dark Passage is the heavy use of first-person point-of-view cinematography in the first half. It’s not always seamless, but it adds a cool, almost ahead-of-its-time flavor to this crime-thriller. This, and the intriguing plot built up around a man on the run with no one he can trust (well, with the possible exception of Lauren Bacall’s character), ropes in the viewer. Not every character is going to survive to the end.

Unfortunately, the first act is the best part of the movie. Not everything after that is bad by any means, but, as the picture shifts away from the first-person gimmick, it loses something. It gets significantly talkier in several sequences and the ending is quite anti-climatic. It almost feels like the filmmakers were running out of time or didn’t exactly know how to end the picture on a pleasing note and rushed the conclusion.

In retrospective, professional critics have been rather kind to this one, partially thanks to the fact that it’s just Bogie and Bacall doing what they do best (although the supporting cast also gets singled out for praise). I am less enthusiastic about it, due to its not-entirely-satisfying ending and some of its dialogue-heavy tendencies. There are certainly many films I’d recommend this over, but can I really give a thumbs-up to a flick that peaks in its first third?

My rating is 6 outta 10.

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