Director: John Lee Hancock
Genre(s): Biography, Crime, Drama
Runtime: 132 minutes
MPAA Rating: R
Bonnie and Clyde (1967) famously showed the Barrow Gang’s 1930s crime spree from the criminals’ points-of-view, while 2019’s The Highwaymen flips the script and reenacts it from the perspectives of the lawmen who hunted them down. It’s the Great Depression-era United States, and gangsters Bonnie Parker (Emily Brobst) and Clyde Barrow (Edward Bossert) are rampaging through the Central-Southern part of the country, with former Texas Rangers Frank Hamer (Kevin Costner) and Maney Gault (Woody Harrelson) hot on their tracks. It’s a respectable change of pace.
No, this movie isn’t nearly as good as 1967’s Bonnie and Clyde, but that doesn’t make it unnecessary. The two leads – Kevin Costner and Woody Harrelson – have good chemistry and keep the leisurely-paced flick chugging along. The rural United States in the time of the Great Depression is brought to life surprisingly well, showing the breeding ground for criminals in desire of a better life. However, this film certainly does not glamorize the two crooks that the main characters are tracking down.
As I mentioned above, the pace of this picture can be, uh, leisurely. This is fine at first, but the feature does a questionable job of kicking it into high-gear when the climax approaches. Some moments of action feel sort of cheaply-made. The movie also underutilizes Kathy Bates’ character, “Ma” Ferguson, the Governor 0f Texas, who has to have Bonnie and Clyde killed or captured before they can make her look like too much of a fool.
Bonnie and Clyde are ruthless murderers here, largely kept offscreen like the beasts of a monster movie. Fortunately for the audience, the two lawmen on their trail are rendered colorfully here to make up for the lack of screentime that the two gangsters get. Overall, this film is a decent-enough diversion, but it needed a bit more pep in its step at times.
My rating is 6 outta 10.