Django (1966) Review

Director: Sergio Corbucci

Genre(s): Action, Western

Runtime: 91 minutes

MPAA Rating: Not Rated

IMDb Page

1966’s Django just might be the most famous “spaghetti western” (Italian-made western) that wasn’t directed by Sergio Leone. A mysterious, coffin-dragging gunslinger named Django (Franco Nero) finds himself in the middle of a range war between Mexican revolutionaries and ex-Confederate, Ku Klux Klan-style renegades. It may live in the shadows of the works by the aforementioned Leone, but this flick has a personality of its own.

One of the first things one is probably going to notice about this movie is just how action-packed it is. Guns are going off almost constantly and the body count just keeps rising. Keep in mind that this is a pulpy and over-the-top film that has no time for realism. The violence was considered extreme for its time, and still has a jarring moment or two.

Franco Nero’s cool-as-a-cucumber titular character is obviously based on Clint Eastwood’s Man with No Name, but I figure he’s just different enough to avoid claims of blatant plagiarism. This feature is rawer and looser than Leone’s pictures, so don’t expect something quite as tight or elegant as those movies. One of the best parts of Django is its theme song, sung by Rocky Roberts. Some may find it lacking in subtlety, but, hey, that certainly fits the film.

Overall, Django is a pretty undemanding piece of shoot-’em-up filmmaking. It verges on the schlocky, but this muddy and bloody classic revels in its carnage in a way that’s hard not to admire. The action’s mostly exemplary, so this makes up for any problems that the rest of the flick may have. It’s worth noting that over thirty movies have used the Django character since introduced here.

My rating is 8 outta 10.

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