Director: Ted Post
Genre(s): Adventure, Science-Fiction, Thriller
Runtime: 95 minutes
MPAA Rating: G
When people think of Planet of the Apes (1968) being a cheesy movie, they probably have something along the lines of its first sequel, Beneath the Planet of the Apes, in mind. This is the one where astronaut Brent (James Franciscus) lands on the same ape-controlled planet as the crew from the original film does, and finds himself in the middle of a war between the apes and a race of underground mutants. Yeah, this is the point where things really start to get out of control.
This one feels slightly cheaper-made than the 1968 classic. There’s still lots of stuff going on, but, in comparison to the first one, this one has a bit of a made-for-television quality to it at times (though it was released in theaters). The star, James Franciscus, is basically just a Charlton Heston lookalike, and he goes through a similar journey to that of Heston’s in the original. There’s also some “satire” here that is almost comically on-the-nose.
Still, there are a few good action set-pieces to enjoy. The film’s tone is pitch-black, with some nihilistically violent scenes. The movie’s G-rating from the MPAA is truly a joke. It’s a dark picture, almost horror movie-ish at times, but that’s part of its appeal. The budget may be lower, but it’s fun to watch to see how zany and off-the-wall it can get.
Beneath the Planet of the Apes is certainly a piece of sci-fi kitsch, but I like that kind of stuff. It’s not essential viewing if you liked the 1968 original, especially if you have a low tolerance level for cinematic cheese. Despite the film’s bleak nature, the scariest part of the feature is actually its end credits, which credit Victor Bruno’s character as “Fat Man” and Don Pedro Colley’s as “Negro.” Yikes!
My rating is 7 outta 10.