Director: Nicolas Winding Refn
Genre(s): Crime, Thriller
Runtime: 90 minutes
MPAA Rating: R
Gangster thriller Only God Forgives desperately wants to be cherished as a work of art. Its ponderous nature borders on self-parody. Set in Bangkok, Thailand, criminal Julian (Ryan Gosling) finds that he’s expected to seek vengeance for the recent killing of his brother, Billy (Tom Burke). However, is his brother’s death worth being avenged? I suppose it’s an interesting question, but this movie’s mind is mostly elsewhere.
Only God Forgives is one of those arthouse films where people stare off into the distance in silence for long periods of time. Man, they still make movies like that? I thought that style of filmmaking had been ridiculed to death? Most things in the picture happen slowly, I suppose because it makes the flick appear more important and artsier. Being only ninety minutes long, it’s not exactly boring, but it is self-indulgent. However, don’t get me started on that trollish ending.
There’s some good stuff about this feature, though. The musical score by Cliff Martinez has its moments, and the use of color and lighting stands out. There are a couple of notable performances, including Vithaya Pansringarm’s as Chang, a creepy, sadistic police officer. Kristin Scott Thomas also gives a memorable performance as Crystal, Ryan Gosling’s character’s vile mother. As mentioned above, it’s not a mind-numbing movie, managing to maintain my interest for most scenes.
Some have stated that this ultra-violent crime-thriller is a love-it-or-hate-it affair, but I largely come down in the middle on it. It’s more concerned with appearing dreamlike than just about anything else, even if real-world dreams are typically much faster-paced than this. Only God Forgives has its commendable aspects, but, in the end, it’s just too concerned with being viewed as high art to remember that there’s an audience watching.
My rating is 5 outta 10.