Director: Mervyn LeRoy
Genre(s): Crime, Drama
Runtime: 79 minutes
MPAA Rating: Not Rated
Little Caesar is famous for being one of the first major gangster movies of the sound era. It may be a bit creaky by today’s eye, but it holds up pretty well. The plot, which may sound familiar, is about small-time hoodlum Rico Bandello (Edward G. Robinson) joining the mob to make a name for himself. Made during Hollywood’s Pre-Code period (before the enforcement of the Production Code), this picture raised concerns that it was celebrating the outlaw lifestyle.
The standout element of Little Caesar is Edward G. Robinson’s performance as the titular character. He’s really a natural, making most of the rest of the cast look like they’re made out of wood. Check out the flophouse scene for some of Robinson’s best acting in the feature. While we’re on the subject of acting, take a gander at Thomas E. Jackson’s turn as police officer Sergeant Flaherty. I can’t tell if it’s the most brilliant performance I’ve ever seen…or the worst. Not every character registers, but enough do to make it coherent.
Little Caesar has fair-enough pacing. Sometimes things move pretty quickly (the first shot of the movie, after the opening credits, is a stickup, after all), and sometimes there’s just a hair too much talking. Okay, maybe I’m exaggerating, because it’s never boring and the runtime is only 79 minutes. The whole flick is a little primitive-feeling at times, but that’s pretty much expected for a 1931 release.
It’s Robinson that breathes life into this entertaining crime-drama (it’s the role that made him a star). It’s not an action movie, so don’t expect a bunch of explosions and you might have a good time. There are better Pre-Code gangster films out there – namely Scarface (1932) and The Public Enemy (1931) – but this one beat them all to the punch.
My rating is 7 outta 10.