Director: John Carpenter
Genre(s): Horror, Thriller
Runtime: 91 minutes
MPAA Rating: R
Slasher films are often derided as trash cinema, but the first entry into the Halloween series is one of the few that is beloved by both audiences and critics. 1978’s Halloween didn’t invent that subgenre, but it did do more than any other movie to popularize it. After fifteen years of being locked up in a mental hospital for murdering his sister (Sandy Johnson), Michael Myers (Nick Castle, Tony Moran, and Will Sandin) escapes and returns to his hometown of Haddonfield, Illinois…to kill again. Brace yourself, because this is one great horror picture.
Halloween was made on a low budget, but the film never feels limited by this. This is all about terror and menace coming to familiar locations, as Michael Myers stalks the inhabitants of a small town (no haunted castles or sweaty South Seas islands here). Speaking of Myers, the filmmakers do an excellent job of keeping him offscreen or at a distance to maximize the impact of the instances when he does strike.
The musical score by the movie’s co-writer/director, John Carpenter, is simply iconic, although a few bits of music do feel stuck in the 1970s. It helps the flick truck along nicely. There’s little-to-no pacing issues, as this is a lean, focused production (it’s only 91 minutes long, so there’s no time for monkey business). For a slasher picture, the violence is surprisingly restrained, meaning that the squeamish are invited to watch this one as well.
Halloween works well because of how brutally simple it is. Even viewers skeptical of watching a horror movie about a madman walking around murdering people may want to give it a chance. It really doesn’t have a high body count, but manages to wring just about as much tension and suspense from its subject matter as is possible. It’s a rightly famous film that spawned a lengthy franchise.
My rating is 8 outta 10.
The Film Heretic Watches a Classic 