Apocalypse Now (1979) Review

Director: Francis Ford Coppola

Genre(s): Adventure, Drama, War

Runtime: 147 minutes (theatrical cut), 183 minutes (Final Cut), 196 minutes (Redux)

MPAA Rating: R

IMDb Page

This is a review of the 147-minute theatrical cut of Apocalypse Now, the famous, dark, and psychedelic war film that is sometimes regarded as the best of its genre. In the midst of the Vietnam War, an American serviceman, Benjamin L. Willard (Martin Sheen), is assigned to travel by patrol boat to Cambodia to assassinate U.S. officer Walter E. Kurtz (Marlon Brando), who’s reportedly gone rogue…and insane. This is a spectacularly well-made movie, but I can’t help but feel that the third act is the weakest component of the feature. To me, it doesn’t quite stick the landing.

More abstract than, say, Platoon (1986), Apocalypse Now is about descent into madness, as just about any film critic will tell you. It’s a slightly surreal journey, accompanied by dark comedy (especially in the first half) and impressive, large-scale visuals. The choices for music are dynamite. It’s not an action flick, but the helicopter attack sequence has become one of the most iconic moments in cinema history. It lives up to the hype, being one of the best battle scenes to grace movie theater screens.

Apocalypse Now borders on the episodic, but, for the most part, it manages to keep things together. Unfortunately, the film comes close to hitting a brick wall when it arrives at Marlon Brando’s character’s compound. These scenes look amazing, but what seems like almost endless monologues from Brando hurt the picture’s momentum. The somewhat meandering third act is a problem. Also, this one probably won’t be played on television for Veterans Day any time soon, as most Americans in it, including both members of the military and civilians, are characterized as spaced-out, excessively rowdy, nutty about surfing, or psychotically violent. There’s also a scene of violence against a water buffalo, so animal lovers may want to sit this one out.

Crazy, eccentric, and colorful, this psychological war epic is too “artsy-fartsy” for many viewers, but, with its atmosphere of insanity, it’s still worth watching. Be warned that the final moments are slower than the scenes that preceded them. Still, it’s ambitious as Hell and is often a feast for the senses. All of this being said, when it comes to surreal, dream-like war movies, I actually prefer Castle Keep (1969) and Walker (1987).

My rating is 7 outta 10.

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