O.S.S. (1946) Review

Director: Irving Pichel

Genre(s): Thriller, War

Runtime: 108 minutes

MPAA Rating: Not Rated

IMDb Page

Despite being produced and written by Richard Maibaum, who also wrote a bunch of the earlier James Bond films (a series I’m not crazy about to begin with), the World War II spy film O.S.S. is a dud, more or less. The picture’s title refers to the Office of Strategic Services, which was the precursor to the CIA during the aforementioned conflict. Alan Ladd stars as John Martin, an American secret agent sent to Nazi-occupied France to mess with the Germans. Of course, he’s accompanied by a female spy, Elaine Duprez (Geraldine Fitzgerald), to give the movie some romance.

One of the major problems here is that the picture covers the entire experience an OSS agent might face behind enemy lines, rather than focusing on one particular mission. The way the film is, the heroes tackle two or three assignments during the flick’s runtime, resulting in two or three mini-climaxes, and stuffing the film with some padding. Part of the movie seems to follow our protagonists in between objectives, when they’re not really doing anything, other than simply surviving.

There’s also the matter of the film not building up to a satisfactory climax. It’s a realistic one, and I suppose that’s commendable, but it’s less exciting (well, “exciting” is a stretch) than one of the scenes that preceded it. The action’s clunky, although there’s barely any of it at all (the big explosions and whatnot are provided by stock footage). Rather than fully entertaining an audience, O.S.S. sets its sights on educating the viewer on the importance of the titular organization’s role in World War II and honoring the memory of its fallen. That has its time and place, and probably should’ve been included in the flick, but some changes should’ve been made to tighten the movie up.

A thriller largely devoid of thrills, O.S.S. is not terrible, but it doesn’t come recommended either. The plot’s unfocused and the action is almost non-existent. The romantic angle successfully creates some tension later on in the runtime, but, overall, I can’t help but think of it as a misfire. There are better espionage flicks out there.

My rating is 5 outta 10.

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