Director: Steven Spielberg
Genre(s): Action, Drama, War
Runtime: 169 minutes
MPAA Rating: R
Rewriting the rules on how battle scenes are filmed, this reverent World War II movie follows a squad of American soldiers, led by Captain Miller (Tom Hanks), who are deployed to enemy-infested territory after the D-Day landings at Normandy in order to find and safely return a fellow U.S. trooper, Private Ryan (Matt Damon), whose brothers were all recently killed in action. Free of romantic subplots and equipped with a moving musical score from John Williams, Saving Private Ryan is easily one of the most important entries into the war genre.
This picture is at its best when the bullets are flying. The two major, lengthy, gory combat sequences, one at the beginning (the storming of Omaha Beach on D-Day) and the one at the end, are so intense they make you want to take cover under your couch…well, if one could take their eyes off them, that is. The sound effects are ferocious and the special effects couldn’t have been better integrated. These action scenes (which have some nice, little touches) are expertly directed, although the realism of the first one is significantly greater than that of the final one. The camerawork here revolves around handheld stuff, but the cinematography never devolves into what-am-I-even-looking-at? shaky-cam.
Unfortunately, Saving Private Ryan isn’t quite as stunning when people aren’t under fire. Most of the characters are ill-defined, which is unacceptable for a men-on-a-mission movie that lasts nearly three hours. Even on repeated viewings it can be impossible to tell who’s who for some of the members of the squad. The sometimes-questionable script (written by Robert Rodat…who also wrote The Patriot ) occasionally has the film wobbling just a tiny bit during the character-driven moments. Still, it manages to pack a punch in the drama department.
In the end, this is an emotionally exhausting war epic with impeccable directing from Steven Spielberg. The supporting characters often aren’t fleshed out enough, but the whole thing is viciously on-point during the battle sequences. Despite its grisly realism, it’s a mistake to expect an anti-war screed from it. Instead, it’s a respectful ode to the Greatest Generation. If you’re going to watch it, watch it for that.
My rating is 8 outta 10.