Director: John Milius
Genre(s): Action, Adventure, Drama, Romance, War
Runtime: 119 minutes
MPAA Rating: PG
Very, very, very, very loosely based on a true story, The Wind and the Lion tells the tale of an American woman, Eden Pedecaris (Candice Bergen), and her two children, William (Simon Harrison) and Jennifer (Polly Gottesman), being kidnapped by a group of desert Berber rebels led by Mulay el-Raisuli (Sean Connery) in 1904 Morocco. The real incident saw a man named Ion Perdicaris being captured and released with no bloodshed. What kind of film would that make? Writer/director John Milius thought he could tell the story better (read: more death and destruction), and the result is The Wind and the Lion.
Armed with the best musical score by Jerry Goldsmith that I’m familiar with and an all-star cast, this is an old-fashioned, swashbuckling action-adventure epic with a witty script. The interesting characters couldn’t have been drawn better. The action scenes are grade-A+, but there appears to be use of oft-deadly trip wires to accomplish the horse-falls. The film’s stunt sequence supervisor, Terry Leonard, claims that no horses were harmed during the making of the movie, according to IMDb’s Trivia page for the movie, but the horse-falls look pretty suspect to me.
The tone is playful, despite plentiful carnage, as the motion picture romanticizes the irrational behavior of olden times. It’s full of jingoistic clap-trap that somehow works in the context of the film. The Wind and the Lion‘s politics seem to be intentionally schizophrenic, celebrating displays of militarism, while simultaneously showing innocent bystanders being aggressively shoved around by said militants. This contradictory nature only adds to the flick’s already-very-funny comedy level.
When people aren’t dying, the film portrays the backroom dealings surrounding the hostage crisis. However, it’s not boring at all, with the geopolitics of the situation being depicted in a humorous, tongue-in-cheek manner. U.S. President Theodore Roosevelt (Brian Keith), though, is probably written to be more saber-rattling than he actually was as commander-in-chief. There is some Stockholm Syndrome- style romance in The Wind and the Lion, but don’t let this turn you off. Action junkies will find more than enough for them here.
Full of daring-do and machismo, this masterpiece from John Milius is a fascinating, if almost entirely fictional, look at the United States’ early years as a Great Power. It works best, though, as a first-rate action-adventure picture, full of sweeping desert vistas, larger-than-life characters, ridiculous heroism, and marvelous action sequences.
My rating is 10 outta 10.